Director Spike Lee was just 29 years old in 1986 when he released his first feature film, She's Gotta Have It. The movie told the story of a young black artist named Nola Darling who loves sex but isn't interested in a committed relationship with any of the three men she is dating.
Lee, now 60, says he made She's Gotta Have It because he wanted to show a woman "living her life, and not really caring about what people feel."
Couples therapist Esther Perel is an expert in cheating. She's spent the past six years of her career focusing on couples who are dealing with infidelity — and she's heard a lot of stories.
"It's never been easier to cheat — and it's never been more difficult to keep a secret," she says. "The majority of affairs would normally have died a natural death. Today they are discovered primarily through the phone or through social media or though the computer."
I don't believe in ghosts, but sometimes when I walk through my house I think I hear the forlorn cries of all the books, movies and TV shows that I've loved over the past few months but never got around to talking about. And so, every December, I try to silence those cries with my annual "Ghost List" of favorites I've ignored — a group that in 2017 ranges in spirit from cosmic surrealism to ripped-from-the-headlines immediacy.
For a chaotic year, I'm offering a chaotic "Best Books" list — but I think my list is chaotic in a good sense. These books zing off in all directions: They're fresh, unruly and dismissive of the canned and contrived.
You can't go wrong with any of these books. As one of Dashiell Hammett's dangerous dames might have said: They're all the bees' knees.
Screenwriter Scott Frank has written movies in a all kinds of genres, including crime noir (Get Shorty), thriller (Malice) and action/adventure (The Wolverine). But despite his extensive list of credits, he always felt there was one genre missing.
"I wanted to write a Western at some point in my career," he says. "I kept putting it off and putting it off, because they were very difficult economically to make in Hollywood."
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
The characters in the films of Samuel Maoz are all trapped in one way or another. His 2009 drama, Lebanon, was a blistering critique of Israel's 1982 invasion of its northern neighbor and an impressively sustained exercise in confinement: It unfolded entirely inside a tank, forcing us to see the devastation of war from the limited vantage of four young troops.
It's word-of-the-year time again. Collins Dictionary chose "Fake news" and Dictionary.com went with "complicit." Others have proposed #metoo, "alternative facts," "take a knee," "resistance" and "snowflake."
The Room (2003) has been called the Citizen Kane of bad movies. Eccentric filmmaker Tommy Wiseau wrote, directed and starred in the movie, and it has since developed a cult following. Around the country, fans flock to midnight screenings.
Actor James Franco also found himself drawn to The Room. In 2014, after reading a nonfiction book about the film's creation (called The Disaster Artist) Franco knew he wanted to turn the movie's backstory story into another film.